Los Angeles in the 1900s

September 1904

 

From the Los Angeles Examiner, September 4, 1904

‘Kid McCoy’ Talks of His Battles in the Ring

Selby Exhibits an Extensive Wardrobe as He and His Major Domo Discuss Many Bouts in Squared Circle

“Kid McCoy” and his fifty-seven varieties of clothes arrived in Los Angeles yesterday morning. He was accompanied by his French valet, three large trunks, four suit cases and something less than a ton of paraphrenalia of the training quarters.

Norman Selby, for this is the name “Kid McCoy” was born to [photos], was discovered yesterday morning at his apartments at the Lexington. Selby was superintending the unpacking of his effects, and his valet, Henri Foley, was sweating profusely over the largest assortment of clothes ever brought to his attention. . . .

Selby’s heart was set on a certain cream-colored suit, . . . [but] it is not an easy thing to locate one suit in Selby’s wardrobe. The bed was buried beneath an avalanche of sartorial art — frock coats, lavender trousers, correct evening attire, Tuxedo suits, business suits of every possible cut and texture, and the whole was garnished with a bale of assorted neckwear, but no cream-colored garments were in sight . . . .

“Ah, nix on dis business, Kid,” pleaded Henri. “Cheese on dis ice-cream suit gag! Ain’t I been pawin’ over dis junk for an hour now, an’ I ain’t found nuttin’! Cop de nifty gray rags here . . .!”

Henri’s French has a strong Kilkenny twist [Irish accent] and, when agitated, permits himself to revert to current Americanisms.

Selby . . . concluded that the pearl-gray confection would do. . . . This important matter being settled, Selby sat down to talk business.

“Yes, the preliminaries to the match between Sullivan and myself are settled,” he said, toying with a pearl and diamond pin of great cost. “The date at first set was for the 15th, but I have persuaded McCarey to set it on for the 27th instead. I need all this time to train in, and I do not underestimate this man or hold him cheaply. . . .

“How long have I been fighting? Well — er — er — several years. I began in the Y.M.C.A. in Indianapolis. . . .”

Just here the intelligent Frenchman entered, burdened with hair brushes, shaving sets, silk lingerie and other articles of wearing apparel.

“Are you selling out, Foley?” he was asked.

“Aw, don’t kid me, Kid McCoy!” Henri growled. . . .

[After reminiscing about his fights, the Kid continued:] “I think I shall train at one of the beaches, and . . . Henri here will spar with me. Of course, he knows more about clothes than he does about fighting, but still he’s doing pretty well. I find that the French are very apt pupils.

“After I broke him of the habit of using his feet in the clutches, he caught on fast enough. He knows the rudiments of the game, but he’s too careless. He lets people chip him on the chin — people like Dave Barry and —”

“Aw,” growled the gentlemanly valet, “nix on dat old talk! Which will youse have, de cream-colored weskit wit’ de red spots or de pale blue one wit’ de white floor de lees?”

The image above is widely available on the Web.
The story below is from the Los Angeles Daily Times issue of September 28, 1904

KID M’COY THE WINNER.

Hoosier Gets Verdict Over Twin Sullivan.

 

Game as any bulldog in the pit, . . . Twin Sullivan last night battled with . . . blind desperation, . . . [facing] perhaps the greatest exponent of scientific exponent of Marquis of Queensbury boxing that the world has ever produced . . . — Kid McCoy. . . .

Last night, unannounced, he [McCoy] went into the big ring at Hazard’s Pavilion, sized up the greatest concourse of men ever gathered in this city to witness a fight, and took his seat with hardly more than . . . [a] perfunctory cheer of courtesy.

Eighty minutes later, anxious crowds pressed about McCoy’s corner, anxious to hoist him on their shoulders in triumphal march . . . [after] one of the greatest battles that ring history has ever shown. . . .

Twin Sullivan . . . was in for a hard game from the start; McCoy led off with flashes of his old-time form. Dancing back and forth, sidestepping like a dancing master, his long left arm played in and out as it sought to create an opening for the deadly right cross, but Sullivan was on his guard, and few chances did he leave. His battle was as perfect in its way as was McCoy’s. . . .

[McCoy won the twenty-round match by decision of the referee, Charles F. Eyton (shown in cartoon), who was also the assistant manager and treasurer of the Burbank Theater.]

“McCoy got the nickname ‘Kid’ when he began prizefighting as a teenager. He went on to become a popular barnstorming boxer, taking matches around the world for nearly 25 years.

 

“McCoy’s ‘corkscrew’ punch was famous for the cutting damage it inflicted on opponent’s faces, and he was known for his trickery and unpredictability in the ring. He is often credited with being the inspiration for the popular phrase ‘The Real McCoy,’ though the true origins of that phrase are unclear.

 

“After retiring, McCoy spent eight years in San Quentin penitentiary for killing a lover. He committed suicide in 1940.” From the Who2 Web site.

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PLAN TO LINK SMOKING ROOM TO STAGE VIA TELEPHONE

The Los Angeles Examiner reported on September 4, 1904, that a local theater had advanced the idea of setting up a smoking room for men at the rear of the hall, with a telephone line bringing the sound to the smokers choking away behind a plate-glass window. An artist shows his conception of how the completed smoking room might look.

From the Los Angeles Examiner,
September 4, 1904

HORSES DRIVEN INTO DUMP FIRE, HE CHARGES
 

Dr. John A. Edmonds killed a badly burned horse yesterday morning, said to be the property of a man named Francis, against whom Humane Officer Zimmer said he will prefer charges of cruelty.

“The horse was suffering terribly from burns on its legs and stomach,” said Dr. Edmonds. “The burns were received at the city dumping ground where rubbish is burned. It is the custom of teamsters to drive on this ground with loads of refuse and force their horses through smouldering fires. . . .”

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